Notes from the Inkpot
Writing, teaching, creating - one ink-stained idea at a time.
Favourite Short Stories for the Classroom: Powerful Texts That Spark Discussion and Debate
Short stories offer some of the richest opportunities for discussion in the classroom. Their compact form allows students to engage deeply with power, choice, identity, and consequence, while leaving space for interpretation rather than easy answers. The best short stories do not rush towards resolution; they invite debate, uncertainty, and close attention to language. This post brings together favourite short stories for the classroom — texts that consistently spark discussion and reward close reading. Organised by theme, it explores stories such as The Lottery, The Yellow Wallpaper, The Necklace, and The Monkey’s Paw, alongside practical classroom ideas designed to support thoughtful, discussion-led teaching.
The Real Point of A Christmas Carol: Meaning, Context, and Why We’re Still Missing It in the Classroom
A Christmas Carol is often taught as a simple story of personal redemption, but Charles Dickens wrote it as a fierce critique of poverty, inequality, and social responsibility. Beneath the familiar ghosts and festive imagery lies a political text that challenges readers to confront the systems that allow suffering to persist. This post explores the real meaning of A Christmas Carol in the classroom, examining Dickens’ purpose, key ideas, and modern relevance. With clear analysis, teaching insights, and discussion extensions, it shows how the novella works not just as a set text, but as a demand for action — making it more powerful, relevant, and challenging for students today.
Teaching Edgar Allan Poe in the Secondary English Classroom
Edgar Allan Poe remains one of the most effective writers to teach in the secondary English classroom, offering short stories and poems that reward close reading, discussion, and interpretation. His work explores unreliable narrators, psychological tension, symbolism, and moral ambiguity, making it ideal for discussion-led lessons that move beyond plot and towards deeper literary thinking. In this post, Poe’s most commonly taught texts are organised by theme rather than chronology, allowing teachers to explore patterns around guilt, power, grief, atmosphere, and logic across both prose and poetry. With practical classroom ideas and links to complete teaching resources, this guide supports secondary English teachers looking to teach Edgar Allan Poe with depth, flexibility, and intellectual rigour.
Why Of Mice and Men Still Matters: Context, Controversy, and the Classroom
Of Mice and Men remains one of the most powerful and challenging texts taught in the secondary English classroom. Despite ongoing debate around challenged books, controversial language, and classroom suitability, Steinbeck’s novella continues to resonate with students because it tackles enduring questions of power, loneliness, prejudice, and moral responsibility. Short, accessible, and deceptively complex, it invites discussion rather than delivering easy answers. This post explores why teachers still teach Of Mice and Men in 2026, examining its historical context, its place within modern classrooms, and the strategies that keep students engaged through creative writing, discussion-led learning, and reflective tasks. It also offers ideas for taking learning deeper once the final chapter is reached — supporting thoughtful, nuanced teaching of a text that refuses to be forgotten.
Why Macbeth Is the Only Shakespeare Play I’ll Never Get Sick Of (And Why It Works So Well in the Classroom)
Why is Macbeth still one of the most effective Shakespeare plays to teach? Because it refuses easy answers. Packed with ambition, power, guilt, and moral consequence, Macbeth invites students to interrogate responsibility, persuasion, and the slow erosion of ethical boundaries. Far from feeling dated, the play’s questions about decision-making and complicity remain deeply recognisable in modern classrooms. In this post, I explore why Macbeth continues to work so well with students, how its structure naturally invites debate and interpretation, and how creative and discussion-based approaches can deepen understanding without sacrificing rigour. I also share a free Macbeth classroom resource and explain how I use flexible, reusable teaching tools to support analysis, creative writing, and meaningful discussion across the play.
How to Teach 1984: Context, Classroom Activities, and Real-World Connections
George Orwell’s 1984 remains one of the most powerful texts for exploring power, surveillance, and truth in the classroom. This teaching guide examines the novel’s political context, the totalitarian system of Oceania, and the mechanisms of control that shape Orwell’s dystopian world — from language manipulation to constant observation. Blending classroom experience with practical teaching strategies, this post explores how 1984 can be taught thoughtfully through discussion, real-world connections, and creative responses. It also includes a classroom social experiment, guidance on why the novel is often banned or challenged, and ideas for extending learning beyond the text — making 1984 accessible, relevant, and deeply engaging for students.
Why I Still Teach Romeo and Juliet (Even Though I Hate It) — And Why It Still Works in the Classroom
Why does Romeo and Juliet still earn its place in the English classroom, even when it’s so often misunderstood? This reflective teaching post explores why Shakespeare’s most over-romanticised play continues to work with students, examining impulsiveness, authority, and avoidable loss rather than idealised love. By reframing the play away from romance and towards consequence, Romeo and Juliet becomes far more relevant — and far more teachable. Drawing on classroom experience, this post explores how and why to teach Romeo and Juliet, from contextualising it within Shakespeare’s wider work to using discussion, creative writing, and debate to deepen understanding. It also shares classroom-tested strategies and resources designed to support meaningful engagement with the play across secondary English.